2024秋季申请的小伙伴们是否开始准备你们的主文书了呢?我们知道,美本申请的主文书可以说是除硬性指标之外最重要的文字材料了,也是各位同学用personal voice向招生文员会展示自己独特存在的最佳机会!那么,什么样的文书才能受到顶尖大学的认可呢?我们可以从哪些角度出发,挖掘自己的成长经历,讲好展现自我探索的故事呢? 上周的讲座我们邀请到TD文书老师Scarly带来了哈佛文书点评公开课,详解了三篇值得大家借鉴的哈佛大学本科录取主文书是如何写成的。我们也将讲座中的重点内容进行了文字梳理,并形成推文,希望能给各位同学带来帮助,预祝大家申请路上一切顺利,都能斩获梦校offer~

Part 1 :写好主文书的“是”与“不是”

 美本主文书的角色——“画龙点睛”与“第一印象”

我们在进行美本申请时,会提交你的GPA、语言成绩、SAT/ACT、AP、推荐信等等,这些都是一些硬性指标,我们没有办法控制。文书呢首先是一个重要的附加材料,通过你的文字向招生官表达你是一个怎样的人。另外,文书的自由度也很高,选择范围广。你可以写任何能够展现你自己的事情这是一个很好去区分你与其他申请者的机会。通过CA主文书这650词,讲述你自己,告诉招生官为什么你是最合适的那个人,最有潜力的那个人。所以我们会说美本主文书在你申请中的起到“画龙点睛”与“第一印象”的一个角色。

主文书不是什么?

加长版CV/活动列表 高中生议论文 一味地自吹自擂
这里要和同学们强调一下,主文书不是加长版CV/活动列表,在之前辅导学生写文书的过程中,一些学生的文书初稿都会存在这样的问题。整个文书给人的感觉就是解释活动列表上的几。同学们要谨记文书不是你对活动列表的进一步阐释。文书需要你抓住一些重点重点去呈现,呈现出你已有材料不能体现的那一部分你。
第二点就是文书不是高中写的议论文,不是让你针对某个观点发表个人意见,文书一定是关于你自己的,关于你自己的个人经历
第三点,不要一味的自吹自擂。主文书不是一封自我表扬信。作为一名高中生,你一定会有困惑、疑问,也一定会有自己做不到的地方。向招生官展示最真实的你这才是你文书要表现的。

主文书是什么?

对自己经历的审视、反思与进步过程 Show, don’t tell 独特声音的展示 首先 主文书 是对 自己经历的 审视、反思与进步的过程 。比如说我一开始是一个什么状态,然后经历了某件事情,这件事情帮助走出了之前的困境,我到了一个新的阶段。在这个过程中我会有一些反思。 Show, don’t tell.这句话相信同学们已经听过很多遍了,如果你想告诉招生官你很聪明,那你就要显示你是如何聪明的,通过细节,通过环境,通过事情,展示给招生官展示给别人,你是如何聪明的,而不是就说我很聪明。 独特的声音展示。你如何去描述一件事情,你的用词,你文书中的一些巧思,设计。这些都是你独特声音的展示。

Part 2 :好文书的必要条件

成长(Growth)与身份认同 (identity) 生长环境、legacy、community、social justice 不一样的你(Personal Voice) 细节细节细节!!

Part 3:三篇哈佛录取主文书讲解

写作将我与世界相连

I’ve always been a storyteller, but I’ve only been an alleged fish killer since age five. As a child, my head was so filled up with stories that I might have forgotten to feed Bubbles the class pet just one time too often. Once I pulverized an entire pencil, because I was daydreaming instead of taking it out of the sharpener. More than anything else, I became an obsessive list-maker. I memorized and wrote down long lists of my stuffed animals, cities around the world, and my favorite historical time periods. I created itineraries and packing lists for my Build-A-Bears, then arranged them in rows on a pretend airplane. I drew family trees for a made-up family during the Industrial Revolution. I wrote lists until the spine of my notebook cracked under the weight of graphite. For a long time, I thought this was something that I alone did, and that I did alone. Lying on the floor of my bedroom, I spun fantastical stories of mundane events. Each story opened and closed in my head, untold and unsung. Years later, though—to my amazement—I discovered other people who were interested in the same things I was. Wandering into fanfiction websites and online forums, I was welcomed into a vibrant community of writers—serious, silly, passionate people who wrote hundreds of thousands of words analyzing character dynamics and exploring endless plot threads. When I finally started posting my own thoughts, I didn’t feel like I was taking a risk or venturing into new territory. I had been speaking these words to myself since I was five, preparing myself to finally shout them into the real world. And people responded. Spurred on by this excitement, I started writing stories for other people to read. I had fallen in love with the community writing had given me, and with writing itself. I wanted to contribute my own small piece to a world much bigger than me. I shouted my stories up to the WiFi signals that caught and carried them, waiting to be found by someone else writing lists in her bedroom alone. In high school, I also found joy in editing. I loved analyzing, polishing, and curating my classmates’ short stories, poems, and artwork to make them shine for my school’s literary magazine. I spent hours with other editors, passionately arguing the merits and weaknesses of dozens of writing pieces. Editing the school newspaper, meanwhile, became a way to spotlight members of the school community, from profiling new staff and faculty to polling the student body about the stigma surrounding menstruation. I’ve now had my poems published in a national literary journal and have joined the editorial staff of an international literary magazine for teens. I feel like I’m discovering my power, and with it my ability to create change. Last year, I founded SPEAK, a creative writing program for elementary school students. I wanted to assist younger writers so they could create their own communities. During SPEAK sessions, I taught a group of students how to draw a map of a fantasy wolf kingdom they had designed, helped a girl edit her classmate’s poem about hula hoops, and listened to a third-grader talk faster and faster as we discussed the meaning of soup in The Tale of Despereaux. I’ve now turned SPEAK into a self-sustaining club at my school, and I’m expanding the program onto an online platform. Writing changed my life, but it only happened when I started sharing my work, putting it out there, and starting conversations—not just responding. Alone, stories used to abstract me from the outside world. Now, stories connect me to the world, creating communities instead of pulling me away from them. For too many of us, our stories are born in our heads, and they die there. I’m going to change that, for myself and for as many people as I can bring with me. 文章译文:
我一直都是一个讲故事的人,但直到五岁时才被指控为鱼类杀手。小时候,我脑子里装满了各种故事,以至于可能有一次我忘记了给教室里的宠物鱼“泡泡”喂食。有一次,我竟然把一支铅笔磨成粉末,只因我在幻想,忘记了将它拿出削笔器。比起其他任何事情,我更成了一个执着的列表制作者。我背诵并记录了一大堆我的毛绒玩具、世界各地的城市以及我最喜欢的历史时期。我为我的“造个熊工厂”的玩具制定行程和打包清单,然后在假想的飞机上将它们排成一排。在工业革命时期,我为一个虚构的家族绘制了家谱。我写了很多列表,直到我的笔记本背脊在石墨的重量下崩裂。很长一段时间里,我以为这只有我一个人这么做,而且我是独自在做。躺在卧室的地板上,我编织了关于平凡事件的奇幻故事。每个故事在我脑海中开启和结束,未经讲述和歌颂。 然而,多年后——令我惊讶的是——我发现还有其他人对我感兴趣的事情。在进入同人小说网站和在线论坛时,我受到了一个充满活力的作家社区的欢迎——这是一个严肃、滑稽、充满激情的社区,他们写下了成千上万的字来分析角色关系,并探索无尽的情节线索。当我最终开始发布自己的想法时,我并没有觉得我在冒险或进入新的领域。自从我五岁时开始对自己说这些话,我就一直在准备自己最终要大声喊出来。然后人们回应了我的话。 在这种激情的推动下,我开始为其他人编写故事供他们阅读。我爱上了写作为我带来的社区,也爱上了写作本身。我想为一个比我大得多的世界做出自己微小的贡献。我将我的故事传送到捕捉并传播它们的WiFi信号中,等待被其他独自在卧室里写列表的人发现。 在高中时,我还发现了在编辑工作中的乐趣。我喜欢分析、润色和策划我的同学的短篇小说、诗歌和艺术作品,使它们在我学校的文学杂志中闪耀。我与其他编辑花了数小时,激烈地辩论了几十篇写作作品的优点和缺点。同时,编辑学校的报纸成为一个突出学校社区成员的方式,从介绍新的教职员工到调查学生对围绕月经的社会歧视的看法。 我现在的诗歌已经在一个国家级文学杂志上发表,并且我已经加入了一个国际青少年文学杂志的编辑团队。我感觉自己正在发现自己的力量,以及创造改变的能力。去年,我创办了一个名为SPEAK的小学创意写作项目。我想帮助年轻的作家,让他们能够创造自己的社区。在SPEAK的课程中,我教了一组学生如何绘制一个他们设计的幻想狼王国的地图,帮助一个女孩编辑她同学关于呼啦圈的诗歌,并听着一个三年级学生在我们讨论《德斯佩罗的故事》中汤的含义时越来越快地说话。 现在,我已经将SPEAK发展成为我学校一个自我维持的俱乐部,并且正在将这个项目扩展到一个在线平台上。写作改变了我的生活,但只有当我开始分享我的作品,把它们拿出来并开始交流时,才发生了这种改变。以前,故事使我从外界抽象出来。现在,故事把我与世界联系在一起,创造了社区,而不是使我远离社区。对于我们中的太多人来说,我们的故事在脑海中诞生,然后就此终结。我要改变这一点,为自己,也为尽可能多的人带来改变。

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老师点评哈佛录取文书:
这篇文章从个人兴趣起手,“我”曾经因为沉迷于故事中的世界而忘记喂鱼、把整支铅笔削完。曾孤独地躺在卧室床上,编织幻想世界的我,在网上论坛上发现了一个写作community并快乐地融入其中,与同伴一同分析喜欢的故事角色。这段经历让我意识到故事最终是帮助自我与世界相连,与更大的群体交换彼此的声音的
而我又因此做了更多促进本地写作社群的事情,找到了将自己的私人兴趣与公共责任连接起来的桥梁。文章注重细节描写和每个阶段对写作理解的不断深入,能感觉出作者对写作丰沛的热情和责任感,是一篇很好的兴趣类文书。

青春姐妹淘如何塑造了我

It's 8AM. Dew blankets the grass under my bare feet as my small hands grasp the metal of the backyard fence. I lift my heels, summoning enormous power in my tiny lungs as I blare out a daily wake-up call: ""GIRLS!"" Waiting with anticipation for those familiar faces to emerge from their homes, my mind bursts with ideas eager for exploration. Years later, at the corner of our yards, gates magically appeared; an open invitation connecting the backyards of four mismatched homes. The birth of the ""Four Corners"" inevitably developed into lifelong friendships and became the North Star in the lives of absolute strangers who have become family. As parents bonded at the gates, discussing everything from diapers to first dates, the kids took advantage of overlooked bedtimes and late night movies. Today, I launch into adulthood with the imagination, leadership, and confidence born from adolescent adventures. Behind corner #1 lived the Irish neighbors, where I embarked on a culinary exploration of corned beef and cabbage served during the annual St. Patty's celebrations. My taste buds awakened with the novelty of a peculiar dish that seemed to dismiss the health hazards of sodium chloride, an element that conjures up mental images of chemistry experiments. With U2 playing on the speaker, and parents enjoying a pint of Guinness, adolescents discussed inventions that could lead us to a pot of gold; from apps that would revolutionize the music industry, to building a keg cooler from a rubber trash can (and yes, we actually tried that). Endless playtime and conversations fueled the gene of curiosity which molded my creative thinking and imagination. Behind corner #2, vibrant Italians cheered on the creation of zip lines and obstacle courses, which taught me a thing or two about Newton's Laws of Motion. Body aches from brutal stops provided lessons in physics that prompted modifications. This inventive spirit during backyard projects required testing, redesigning, and rebuilding. I wanted to conquer the yard and use every square inch of it. My swimming pool hosted ""Olympic Games"", where the makeshift springboard I built would have made Michael Phelps proud. I dove into projects, disregarding smashed fingers and small fires. Through persistence and sheer will, repeated failures became a source of progress for all to enjoy. These lessons served me well when diving into the Odyssey of the Mind Competitions. Corners #3 and #4, where Cuban roots run deep, entertained countless activities opening a world of learning and exploration. 1AM backyard stargazing encouraged my curiosity; the night sky like a blank slate, ready to be lit up with discovery. Through the eye of the telescope, I traced stars that were millions of miles away, yet filled my tent like fairy lights. Questions merged in a combinatorial explosion that only led to more questions. Could a black hole really cause spaghettification? Do the whispered echoes of dead stars give a clue to how old our universe truly is? Years later, at the FPL Energy, Power, and Sustainability Lab, conversations about smart grids, electric vehicles, and a possible colonization of the moon would take me back to that backyard camping, propelling my desire for exploration. In my little pocket of the world, I embrace the unexpected coincidence that struck 20 years ago, when four families collided at the same exact moment in space and time. My Four Corners family, with their steadfast presence and guidance, cultivated love, maturity, risk-taking, and teamwork. Through my adventures, I became a dreamer, an inventor, an innovator, and a leader. Now, fostering my love for learning, spirit of giving back, and drive for success, I seek new adventures. Just as I walked through the magical gates of my beloved Four Corners, I will now walk through transformational thresholds to continue on a journey that began as a girl, at a fence, with a heart full of hope and a head full of possibilities. 文章译文:
现在是早上8点。露水覆盖了我赤裸的双脚下的草地,我的小手紧握着后院篱笆的金属。我提起脚跟,在我微小的肺部里召唤着巨大的力量,发出了每天的唤醒呼叫:“女孩们!”怀着期待,等待那些熟悉的面孔从他们的家中出现,我的思绪充满了渴望探索的创意。多年后,在我们庭院的拐角处,魔法般地出现了门;一个敞开的邀请,连接了四个不同的家庭后院。这个“四角”诞生不可避免地发展成了终身的友谊,并成为了绝对陌生人生活中的北极星,他们已经成为了一家人。当家长们在门口交流,从尿布到初次约会的一切都讨论个不停,孩子们则利用被忽视的睡觉时间和深夜电影。如今,我怀着从青少年时代冒险中诞生的想象力、领导力和自信步入成年。 在第一角落的背后住着爱尔兰邻居,我开始了对一道特殊菜肴——年度圣帕特里克庆典上的咸牛肉和卷心菜的烹饪探索。我味蕾在这种新奇的菜肴中苏醒,这道独特的菜肴似乎忽略了氯化钠的健康危害,而这是一个让人想起化学实验的元素。伴随着U2的音乐,父母们品尝着一杯健力士,青少年们讨论着可能让我们找到一锅黄金的发明;从可以改变音乐产业的应用程序,到从橡胶垃圾桶中制作酒桶冷却器(是的,我们真的试过)。无尽的游戏和交谈激发了好奇心的基因,塑造了我的创造性思维和想象力。 在第二角落的背后,充满活力的意大利人为滑索和障碍课程欢呼雀跃,这教会了我一些牛顿运动定律的知识。从残酷的停止中产生的身体疼痛为我提供了物理学的教训,促使我进行修改。在后院项目中的这种创新精神需要测试、重新设计和重建。我想征服整个院子,充分利用每一平方英寸的空间。我的游泳池举办了“奥林匹克运动会”,我建造的临时跳板会让迈克尔·菲尔普斯感到骄傲。我投入到项目中,不顾手指被捏伤和小火灾。通过坚持和纯粹的意志力,反复的失败成为所有人共同享受的进步源泉。当我参与“思维的奥德赛”竞赛时,这些教训对我大有裨益。 第三和第四个角落,根植于古巴的文化,为我带来了无数的活动,打开了学习和探索的世界。凌晨1点的后院观星鼓励了我的好奇心;夜空就像一块空白的板,随时可以被探索的火花点亮。透过望远镜的视线,我追踪了数百万英里外的星星,却像仙女灯一样点亮了我的帐篷。问题在组合爆炸中融合,这只会带来更多的问题。黑洞真的会引起面条化吗?死去的星星的微弱回声是否能够揭示我们的宇宙真正有多老?多年后,在FPL能源、电力和可持续性实验室,关于智能电网、电动汽车和可能在月球上建立殖民地的讨论会让我回想起那个后院露营,推动我对探索的渴望。 在我这个小小的世界里,我拥抱了20年前发生的意外巧合,那时四个家庭在同一个时空点相遇。我的“四角”家庭,凭借着他们的坚定存在和指导,培养了爱、成熟、冒险和团队合作精神。通过我的冒险,我变成了一个梦想家、一个发明家、一个创新者和一个领导者。现在,我滋养着对学习的热爱、回馈的精神和成功的动力,我正在寻找新的冒险。正如我曾走过我心爱的“四角”的神奇大门一样,我现在将穿越变革的门槛,继续一个从一个女孩,一个篱笆开始的旅程,心中充满希望,头脑中充满可能性。

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  老师点评哈佛录取文书:
这一篇以非线性的手法写自己identity的文书。通过回顾“我”在小时候与周围拥有不同文化背景的邻居课余玩闹时做过的实验、有过的奇思妙想和进行过的日常活动,来展现自己面向丰富、好奇心重、擅长合作等个人特色。虽然作者没有具体地谈到什么个人成就、荣誉或奖项,但通过具体地描绘日常的奇思妙想,生动地表现了这些能够伴随自己一生的美好品质是在怎样的环境下长成的,文章生动活泼、另辟蹊径。

高中创业:如何不用柠檬做柠檬汁

With the blazing morning sun beaming through the window, I had an inclination to make a stand to sell Lebanese laymounada - a light lemonade flavored with a splash of rosewater. Throughout my childhood, anytime the temperature spiked over seventy degrees, there would be laymounada waiting for me at my Teta’s (grandmother in Lebanese Arabic) house. At that moment, I scoured the cabinets and secured the glass pitcher only to realize we did not have lemons. To my disappointment, I realized my days of being an entrepreneur and generating revenue from my laymounada stand were over before they could even begin. I sat at the kitchen table, wallowing in disappointment. I wanted everyone to be able to taste my Teta’s laymounada. Suddenly, I had an idea that would either prove to be inventive or a total failure. I would sell lemonade without the lemons. Revolutionary, right? I ripped off a rectangular sheet of paper towel and jotted down my business plan. I listed the key elements of the business plan: a drawing of a cup, a rose, and the price- “fifty scents”- to correlate with the rose-themed business. I sat outside of my childhood home located in a cul-de-sac of five houses and sold my neighbors a rose drink- a combination of filtered water, packets of sugar, and a dash of rosewater. Granted, I only made about $10 from a combination of my parents and generous neighbors who did not drink the “lemonade”, but the experience allowed me to realize regardless of the obstacle, if you are passionate, you can persevere. Teta’s laymounada was my introduction to entrepreneurship. The entrepreneurial skills gained from my laymounada stand allowed me to establish A&G Jewelry, co-founded with my sister when I was twelve. This business focused on representing our Lebanese heritage. Using supplies we found around our house and from our local craft store, we created a variety of pieces that featured traditional Middle Eastern coins, beads, and clay baked into the shape of Lebanon. My sister and I collaborated to create marketing tools to promote our new business. Before we knew it, A&G Jewelry had earned a spot at my church’s annual Lebanese festival. After tirelessly marketing and selling our jewelry for three days straight, we had made over $900 in revenue, which we decided to donate to the church. Entrepreneurship took a new form in high school when my sister and I founded our second partnership, The Model Brockton City Council. We saw a need to engage our peers in local government by designing a simulation of our city council. We had to collect signatures, present to many administrators, and market our new club. The initial goal to have more people try my lemonade resonated with me as I strived to have more people engage in their civic duties. Today, over twenty-five of my classmates frequently attend my meetings. With my first business venture selling laymounada, I made $10; with A&G Jewelry, $900; with the Model Brockton City Council, the revenue amounted to $0. Although there was not a financial gain, I attained experience as a negotiator, problem solver, creative thinker, and most importantly, I became persistent. Twelve years have passed since that summer day with my “laymounada,” and I have yet to maintain a long-lasting business. My six-year-old self would have seen this lack of continuity as a colossal failure, but instead, it instilled an intense curiosity in me. Little did I know the experience would remain so vivid after all these years. It has continued to push me, compelling me to challenge myself both academically and entrepreneurially. As I grow older, my intrinsic drive to have a lemonade stand, regardless of whatever obstacles come my way, persists as a deep-seated love of business. When life doesn’t give you lemons, still make lemonade (or laymounada, as my Teta would say). 文章译文:
在晨光炽热的阳光透过窗户射入时,我有了一个念头,要设立一个摊位销售黎巴嫩的“laymounada”——一种以玫瑰水为点缀的清淡柠檬汽水。在我童年时,只要气温超过摄氏70度,我祖母(黎巴嫩阿拉伯语中的“Teta”)家里就会有“laymounada”等待着我。 就在那一刻,我搜索了橱柜,拿出了玻璃瓶,却发现我们没有柠檬。令我失望的是,我意识到我作为企业家,通过销售“laymounada”赚钱的日子甚至在开始之前就结束了。我坐在厨房桌子前,陷入失望之中。我希望每个人都能品尝到我祖母的“laymounada”。突然,我有了一个想法,这个想法可能是个创举,也可能是个彻底的失败。我会卖没有柠檬的柠檬汽水。革命性的,对吧? 我撕下一张矩形的纸巾,写下了我的商业计划。我列出了商业计划的关键要素:一个杯子的图画,一朵玫瑰,和价格——“五十个香水”,与玫瑰主题的业务相一致。我坐在我童年时的家外面,这所房子位于一个由五座房屋围成的死胡同里,卖给了我的邻居一种玫瑰饮料——一种由过滤水、糖包和一点玫瑰水混合而成的饮品。尽管我只赚了大约10美元,这些钱来自于我的父母和慷慨的邻居,他们并没有喝这种“柠檬汽水”,但这个经历让我意识到,不管遇到什么障碍,只要你充满激情,你就能坚持下去。祖母的“laymounada”成为了我对创业的首次体验。 从我设立“laymounada”摊位中获得的创业技能,让我和姐姐在我12岁时创立了A&G Jewelry。这个生意专注于代表我们的黎巴嫩传统。我们使用我们在家里和本地手工店找到的材料,制作了一系列以传统中东硬币、珠子和黎巴嫩形状的陶土为特色的作品。我和姐姐合作创建了营销工具来推广我们的新生意。在我们意识到之前,A&G Jewelry已经在我的教堂年度黎巴嫩节上获得了一个展位。在不知疲倦地市场推广和销售我们的珠宝三天后,我们筹集了超过900美元的收入,我们决定将其捐赠给教堂。 在高中时,创业以一种新的形式出现,我和姐姐创立了我们的第二个合作伙伴关系——模拟布罗克顿市议会。我们看到了需要通过设计一个我们城市议会的模拟来让同龄人参与到地方政府中来。我们不得不收集签名,向许多管理人员做演示,并推广我们的新俱乐部。最初的目标是让更多的人品尝我的柠檬汽水,而我在努力让更多的人参与到他们的公民义务中。如今,有超过25名同学经常参加我的会议。 通过我第一个创业项目“laymounada”的销售,我赚了10美元;通过A&G Jewelry,赚了900美元;通过模拟布罗克顿市议会,收入为零。虽然没有经济收益,但我获得了作为谈判者、问题解决者、创造性思维者,以及最重要的是,我变得坚持不懈的经验。 自从那个夏日的“laymounada”过去了12年,我还没有维持一个持久的生意。我6岁的时候可能会把这种连续性的缺乏视为巨大的失败,但相反,它在我心中激发了强烈的好奇心。我不知道在这些年里这种经历会如此生动。它继续推动着我,促使我在学术和创业方面挑战自己。随着我变得越来越老,我内在的驱动力,不管遇到什么障碍,仍然坚持着要开个柠檬汽水摊位,这成了我对创业的深刻热爱。 当生活没有给你柠檬时,仍然可以制作柠檬汽水(或者正如我祖母会说的那样,制作“laymounada”)。

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老师点评哈佛录取文书

篇的写法更为常见,即我是如果通过单个经历成长,并将从中学到的知识运用到之后
这篇的写法更为常见,即我是如果通过单个经历成长,并将从中学到的知识运用到之后的人生之路的。文章开头讨巧——不用柠檬能之作柠檬水吗?从一个小小的创业故事中展现自己的坚韧,也承认了是因为环境的支持(在这个意义上,作者的谦虚恰恰体现了他对现实状况的认识)。接着,作者又不仅仅是写创业,而是他如何利用商业的力量去宣传自身的文化、回馈所属的community。
这也回到了我们说文书必须要展现的重点:不仅要写自己做了什么事,更要呈现自己为什么这样做。让招生官看到你性格特质的同时,看到驱动你前进的动力,这才是最有说服力的。

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